View source for Colby, C. B.

<h2>Introduction</h2>
C. B. Colby is best known for eerie and “strangely enough” style compilations that blend mystery storytelling with a true-or-tall-tale vibe. He is relevant to UAPedia as a cultural upstream influence: the kind of popular weird-literature that primes audiences for UFO and paranormal interest.

<h2>Background</h2>
Colby’s work is more anthology and entertainment than investigation. His entries often present unusual claims in a fast, memorable format—ideal for mass readership and repeated retelling.

<h2>Ufology career</h2>
He is not primarily a ufologist; his ufology adjacency is through “strange phenomena” storytelling culture rather than case research.

<h2>Early work (Year–Year)</h2>
Early impact comes from distribution into schools and youth reading pipelines, making “mystery” normal and shareable.

<h2>Prominence (Year–Year)</h2>
Prominence is tied to broad readership and nostalgia: his books are frequently remembered as “gateway weird” reading.

<h2>Later work (Year–Year)</h2>
Later influence is mainly via reprints, collectors, and continued mention in lists of classic eerie anthology books.

<h2>Major contributions</h2>
His key contribution is cultural: simplifying anomaly narratives into bite-sized, repeatable stories that travel easily.

<h2>Notable cases</h2>
Not case-based in the ufology sense; more a library of short anomaly tales.

<h2>Views and hypotheses</h2>
The presentation style often lets the mystery stand without deep adjudication, encouraging curiosity and suspense.

<h2>Criticism and controversies (if notable)</h2>
Critics note that anthology framing can blur fact/fiction boundaries, which can amplify urban legend dynamics.

<h2>Media and influence</h2>
Strong influence on popular “weird” culture and on readers who later become UFO/paranormal enthusiasts.

<h2>Selected works</h2>
Strangely Enough.

<h2>Legacy</h2>
Colby’s legacy is as a popularizer of the eerie: not ufology scholarship, but a cultural tributary feeding it.